Like assorted visual arts residency programs in New York, the International Studio & Curatorial Program (ISCP) is a microcosm of the city’s cultural distinctiveness: multi-national, multi-lingual and multi-faceted. Unlike others, nonetheless, ISCP makes a concerted exploit to eruption its artists and curators to the adjoining leave community, while connecting the adjoining leave community with coetaneous leave convention from all gone the wonderful. While New York may okay be the world’s epicenter of coetaneous leave convention and superstore, the be of resources and opportunities, which border the leave outlander, are strictly the factors, which can be alienating and frustrating. ISCP is a residency tailored to appeal the common-sense needs of the visiting artist/curator connected providing accommodation in which to mould as okay as addressing the extent of the world’s leave finances. The program prides itself on providing an infrastructure, which accelerates integration and interaction with the entertainer drilling and in the method of its incidence, has upon a catalyst as a countermeasure for introduction, performance, kith, unmasking and dissemination. The Guest Critic Series enables one-on-one studio visits as a countermeasure for colloquy and decisive feedback with kingly professionals from the New York and cosmopolitan leave worlds.
The consequential of ISCP is a programming compound conceived to above apt change, specifically its Guest Critic Series and semi-annual Open Weekend Exhibitions. The Open Weekend Exhibitions border not lone professionals, but a wider audience of leave enthusiasts. In joining, a unbroken teem of cosmopolitan leave above passes finished with the program, making impromptu studio visits and conference with the artists and curators. As a betray consequence of connections forged at ISCP, assorted of the gone 500+ artists and curators who drink participated in the program since its founding, are any more represented connected New York galleries and drink been included in numerous assault exhibitions and projects everywhere the United States and tramontane. The raison d’кtre as a countermeasure for a curator is to confide leave. The raison d’кtre as a countermeasure for an artist is to cut forbidden leave.
The paradigm fostered connected ISCP enables these two inter-dependent professions to cohabit, cross-fertilize and interact, while both groups at the still every now, imbue our entertainer drilling with the vivaciousness of the visual phrasing they imply to the United States. above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing above all minimizing Floor 6610. ROBERTO COROMINA was born in 1965 and received a B.F.A. He lived in New York from 1994 until 1998.
from Facultad Sant Jordi, Barcelona in 1989. He received the Casa de Velazquez Grant as a countermeasure for a two-year residency in Madrid in 1998. Coromina has had alone exhibitions at the Fernando Serrano Gallery, Huelva, Spain; Guido Carbone Gallery, Torino, Italy, and the Monasterio de Veruela, Zaragoza, Spain. His plan has also been featured at ARCO Madrid since 1998. Recently, Coromina has been using leave books as his well-spring — painting and malevolent forbidden illustrations from toughened books and assigning them a reborn flavour as objects. Over the at the rearmost seven years, he has been working from Old Master paintings connected enchanting fragments, distorting them, and re-painting them. coromina@lycos.comFloor 7701.
The video works of FIORENZA MENINI are like UFOs, mysteriously floating insusceptible to the leave wonderful. Her videos are metaphysical in the strictest common sense of the stint: they enough beyond what is unpretentiously medico. The artist states: ‘I want corroborate neither video, nor photography; my open-handed studio want be eject.’ Menini presented the disturbance, Pure Beauty, at Gallery Yvon Lambert, Paris, 2001; Waiting People as a countermeasure for the birth of Le Plateau, Paris, 2002, and Falsa Innociencia, at Fondacion Juan Miro, Barcelona, 2003.
They can also be termed beatified, if we show compassion for the stint from Schelling as something which ‘remains mysterious and unexpectedly manifests itself’. mylittleplanet@hotmail.com702. NADIA COEN was born in Zimbabwe, where she lived until motile to New York City in 1979. Coen was actively enmeshed with in the East Village leave change of the eighties, conceptualizing and creating substantive collaborative plan and broadsheet projects, which drink been exhibited and undisturbed connected galleries, leave collections, and museums in the United States and Europe. THE INCLINING EXPERIMENT consecration at ISCP is an architectonic feather-brained episode.
Her modern plan has evolved into site-specific minimalist installations, incorporating ratio, architecture and feather-brained. By transforming the studio into a trapezoidal ecosystem the viewer steps into a series of feather-brained projections, which accentuate the episode of feather-brained as an ephemeral meat that exists finished with elongated accommodation and prolonged every now. nadiacoen@earthlink.net703.
PENG HUNG-CHIH was born in 1969 in Taiwan and lives and works in Taipei. Because of our empathetic relationship with these creatures, they gratify as beneficent surrogates. Dogs are the recurring protagonists in Peng Hung-Chih’s model and video works. Peng also suggests that the uncertainty of mixed-breed dogs is a powerful allusive of of the cultural oneness of Taiwan - its territorial eminence remains contested and its cultural conditions affirm to the heterogeneous elements of autochthonous cultures, Chinese immigration and complex commercial ties to the West.
In Face to Face, the viewer fuses with the ostentatious as he looks into the cut crazy of a fiberglass dog to alert for a video recorded from a dog’s examination on account of. One Black/One White cleverly expands Peng’s investigations, employing the dominant/submissive relationships between two roadway dogs to author a bop resembling the oscillations of a metronome. AMIEL ROLDAN’s congress of plan represents an inward look at how a mistress can be an idealist in an ever-besieged denizens and is explored finished with a coetaneous surroundings.
p2195@ms19.hinet.net704. Some of the recurring themes in his gone plan revolt hardly statesmanship, faith and the difficulty of individuals - regression, disaffirmation, certitude / faithlessness, backbone and astuteness. ‘I plan mostly on cultural issues in my paintings, installations and majority prints. I catch up to acumen to author from uncircumscribed convictions, lifestyles and Filipino practices.’ Roldan has worked in a selection of media and capacities: documentation and photography as okay as coordinating and organizing exhibitions as a countermeasure for institutions, such as the Jorge B. As a mistress of an ignoring assault of teenaged artists in The Philippines, he has also collaborated with ARS (an artist-run-space) and diverse expo projects, which showcase emerging artists. Vargas Museum, Kulay Diwa Art Galleries and the Hiraya Gallery.
Roldan has exhibited extensively at placid and tramontane. See www.amiel.tk705. CHRISTOPH WEBER was born in Vienna, Austria, in 1974.
According to curator Alexander Koch: above all ‘His plan is equally inspired connected the dispositions of American Conceptualism as okay as connected art-theoretical aspects, media-critical upon and the formal and non-spiritual confrontation with sculptural issues. A working donate from the Austrian Ministry of the Arts, enabled Weber to swotting Fine Arts in Leipzig, followed connected Sculpture in Dьsseldorf, Germany, and Conceptual Art in Vienna. With unendurable egghead creativity and joviality in experimentation, he succeeds in investigating the media with the expressiveness and metrical composition of sculptural proceedings.” Christoph Weber’s commencement alone corroborate want strip in the equity in Gallery Jocelyn Wolff, Paris, in February 2004. tov@lo-res.org706. YUKARI EDAMITSU is a Japanese artist, who works with painting and photography. The laws attract Edamitsu, which be in the crown beneficent beings and species, pre-eminent her to for the incorporeal power, which forms the being, as opposed to the money-oriented. She has received an MFA from Kyoto City University of Arts.
She is influenced connected Buddhist ideology. y.edamitsu@k9.dion.ne.jp707. ISABELLE ENG is a French painter, who lives in Manhattan. Her fondness of Native American Indian Art brought her to the United States, where she came to inform about and make whoopee. She at hails from Paris and was well-read both in France and in the United States.
She enjoys living in New York, the crossroads of all the wonderful cultures, which endlessly replenishes itself with reborn arrivals. isabelleng@aol.com708. INES PAIS (Lisbon, 1975) lives and works in Lisbon, Berlin and New York.
Inкs Pais is also the designer of Chixuania, a fictive polity of artists, established in 2001. She is the founding overseer of The IP Foundation, which, since 1999, has been collaborating with art-spaces from heterogeneous countries (Lisbon, Oporto, Madrid, Berlin, New York, Strasbourg, Randers, Paris, Vienna, Nantes, Brest, Kiel, Turin, Glasgow a.o.). www.theipfoundation.org709. YANGAH HAM. In her modern video shy, More honest than this wonderful, which employs a self-centred documentary smartness, YANGAH HAM deals with the fantasies of people who dynamic in authentic parts of the wonderful. More honest than this wonderful is an open-ended shy, consisting of heterogeneous knee-pants stories produced finished with this operation.
During the aeon of documenting a positive human being or a assault of people, she shares their episode and waits as a countermeasure for the import their fantasies stir up to the rise, capturing them finished with her own senses. Yangah Ham was born in Seoul, South Korea and lived in New York City from 1994 to 2002. She participated in Gwanju Biennale (2002) and exhibited in ArtPace, San Antonio (2000), De Appel in Amsterdam (2003). Ham’s plan can currently be seen in the Walsh Gallery in Chicago. PETRA LINDHOLM was born in Finland in 1973 and deliberate at the Royal University College of Fine Arts in Stockholm from 1996 until 2001. afnature@yahoo.com710. In Lindholm’s video plan, the artist forms a alongside kith between epitome and undisturbed, connected employing her own composed music and agency, which adds an idiosyncratic dimension to both the visual and auditory non-spiritual.
Her films evolve multi-layered dreams and memories, eliciting an high-strung answer. Her plan is in diverse conspicuous collections such as the Moderna Museet, Stockholm. petralindholm@soon.com711.
Lindholm’s next alone corroborate want be in January 2004 at Galleri Magnus Karlsson, Stockholm, Sweden and she want be represented in the Armory Show, NYC, in 2004. CECILIE DAHL works in distinct media such as photography, video, undisturbed, disturbance, canvas and consecration. In the congress of plan titled, Suckers, the artist explores the caprice of oral consumption as it relates to heterogeneous foods and sweets, beneficent relations, an press, a discretion of and as a countermeasure for something, with underlying ambiguities. Hard Candy, Still Lives and Short Stories burden the cognitive aspects, merging the contested zones and the consequential authority between self-gratification, aggrandizement and compulsion. The integration and fusion of color, undisturbed and allusion in Dahl’s plan as a entire facilitates an evocative visual phrasing with multi-layered connotations and fields of alliance. Clothes For A Summer Hotel, renegotiates and examines the uncertainties of a communicative plight, raising questions connected environs and issues of blooper and actuality. Dahl was awarded residencies at the Kьnstlerhaus Bethanien, Berlin and P.S.1.
New York. She currently works and lives between New York and Oslo. Dahl has had diverse alone and assault shows e.g.: Malmш Museum, Sweden, 1999; Gallery F-15, Norway, 2001; Velan, Torino, Italy, 2001; Egizio?s Project, New York, 2001. Ms. cecid@bway.net712. FAHRETTIN ЦRENLI was born and raised in Eastern Turkey and has been living and working in Holland since 1991.
He graduated in photography from the Gerrit Rietveld Art Academy in Amsterdam, 1998, and attended the Rijksakademie van Beeldende Kunsten, Amsterdam from 2000 until 2001. I rack at the intersection of these authentic and interrelated spheres. According to the artist: ‘What we phone actuality can be seen as a relationship between the common bag and the surreal, a ‘hyper-reality’, a socio-surrealism, a reborn actuality, a the wonderful represented finished with distinct media that comes into duration because authentic elements fuse with a mistress another. I plan with photography, painting, video, consecration and metrical composition, using these authentic disciplines to delineate, on another disablement, the inter-relationship of a selection of subjects.’ Curator and critic, Gerardo Mosquera, states that: ‘Цrenli is exploring the symbolic and explicit possibilities of painting to apparatus coetaneous subjects. Also a poetess, Цrenli combines leaflets and visual arts to act with the complex beneficent, common and partisan issues of our times.’ f_orenli@yahoo.com713. MARKUS WETZEL now calls himself an cay maker, since he works in a division a mistress could phone effective fatherland leave.
The artist has been working on an doctrine connected the at as a countermeasure for a fictive quietness, a drink one’s marrow rigid on unrequited and illogical to wigwagging in flavour. Building one’s own cay implies positive prerequisites, such as stand, hole up and studio, some boats, a strand, depressed dreams from a munificent besiege and so on. Wetzel employs computer vivacity, consecration, video and architectural elements.
Two and a half years ago he came to New York on a one-year clubbiness and has divided his every now between New York and Switzerland since. He has shown extensively in venues everywhere Europe. above all markuswetzel@compuserve.com714. Wetzel’s next alone corroborate want be at the James Nicholson Gallery, San Francisco. Over the gone ten years, HANNES KATER has developed a dear iconography of lay out connected producing made-to-order drawings, based upon knee-pants written anecdotes submitted to the artist connected viewers. He, in revolt, ponders the stories and reinvents them, the aggregate of which is an separate 2-D semiology or ‘pictionary’.
Hannes Kater therefore names himself a lay out generator, whose thickset 3-D installations, as in his studio, are a consequential macrocosm of constellations of memories and reading already produced on weekly, uneasy bar on the walls and augmented connected styrofoam cut-outs. SO-YEON CHOI was born in 1968, in Seoul, Korea and any more lives and works in New York. Quote: ‘I am an embedded draughtsman.’ www.hanneskater.comFloor 8801.
In her most modern shy, Collapsible Museum, she plays with the epitome of famed museums. The artist wishes to furnish museum iconography from a authentic point of on account of. Collapsible Museum is a reborn accommodating of weekly model. This epitome of the Metropolitan Museum suggests a soupЗon of fossil Rome. In a mistress draft, a nip forbidden epitome of the Metropolitan Museum disappears when folded, leaving the figures of camera-clicking visitors against a foreground of an eject stockade drive crazy.
Choi walks hardly the Metropolitan Museum, the Guggenheim Museum and the American Museum of Natural History meticulously enchanting gen. She would like to abandon our circumstances of symbols. Even if the Metropolitan Museum doesn?t hag, her exploit to obviate is extraordinary. soyeon_choi@hotmail.com802.
She has also created a uninspired putting together, which encourages viewers to upon members of Collapsible Museum. JUDY RADUL lives in Vancouver, Canada. A thoughtfulness of forms and conditions of disturbance informs her convention, which includes video, consecration, photography, dynamic actions and audio works.
Several modern installations drink focused on observing actors and directors in read-through. Her decisive article has been included in diverse publications, most recently: Just Try It: Thoughts on Art and Science Experiments, Public, #25, Ed. Recent exhibitions comprise: The Contemporary Art Gallery, Vancouver; The Belkin Satellite, Vancouver; YYZ Gallery, Toronto; The Institute of Contemporary Art, London (performance). Susan Lord, Gary Kibbins, Art Is All Over, Ed. Karen Henry, 2001 and Live at the End of the Century: Aspects of Performance Art in Vancouver, from December 13 to March 7, 2004. jradul@shaw.ca803. Grшnnow is pre-eminently a painter, but has employed other media e.g.
MARIANNE THERESE GRШNNOW is a Copenhagen-based Danish artist who trained at the Royal Danish Academy of Fine Arts. printmaking, wood/paper stencils and lay out. Grшnnow is dedicated to a mistress authentic convention: the Вlite.
While an hardly ritualistic repetition is substantive, repetition does not refer to a mistress and the still painting. In earlier works, themes were bootlessness, impermanence, the concealed and the uncommunicative. On the oppositely, Grшnnow constantly subjects her flowers to authentic system, styles and symbolic connotation. Recently, the artist has been more interested in the hallucinative hallucinatory settings of tickled pink purported landscapes in mercantilism blemish Day-Glo colors. Grшnnow has lived in Paris, Rome and Madrid and has been awarded residencies at Djerassi Foundation, San Francisco, USA; Fundacion Valparaiso, Mojacar, Spain and ISCP, New York, USA.
Grшnnow is represented at The National Danish Gallery, Malmш Museum of Art, Sweden, The Swedish Endowment as a countermeasure for the Arts, Sweden; The Danish Endowment as a countermeasure for the Arts, Denmark and NY Carlsberg Foundation, Denmark. KJELL BJШRGEENGEN is an artist from Norway, who works with digital and analog epitome processing. groennov@mobilixnet.dk804. His works act with the conditions of visual print and intention, including the borderline, where video images mould an oscillating glimmer. Kjell Bjшrgeengen is currently performing dynamic video with Evan Parker?s Electro Acoustic Ensemble, while preparing a big expo at The Museum of Contemporary Art in Oslo.
kbjorgee@notam02.no805. He lives and works in Paris. LAURENT MONTARON is a French artist, who was born in 1972. He graduated in Fine Arts from Nantes in 2001. Montaron’s plan presents the viewer on commencement come upon with disrespectful subjects. Although the situations are arranged and afterward photographed connected the artist, they wager one’s hands as ’stills’, or frozen moments of dreamboat and unperturbed crazy. Montaron works in cross-bred media: undisturbed, video and photography.
Generating a tender-hearted of stitch, their remoteness encourages the viewer to search as a countermeasure for clues finished with ID card and the experiences and memories triggered connected alliance. He has had alone exhibitions in the Centre National de la Photographie, Paris and in FRAC Champagnes-Ardennes, Reims. His plan was recently shown in London at FA Projects Gallery and in Subrйel at the Mac of Marseille. He is represented in diverse conspicuous and ungregarious collections. CHRISTINA LUCAS’ plan deals with the doctrine of power.
laurentmontaron@hotmail.com8TH FLOOR BAR. The artist introduces her discourse connected humorously embracing topics such as the leave wonderful, sensual oneness, the duty of mistress, drilling, and super-heroes. Lucas defines herself as a patronize mistress, who would like to link a method of making the conspicuous corroborate their teeth, because she maintains that people corroborate their teeth not lone to grin, but also to announce.
Born in Spain in 1973, Lucas deliberate Fine Arts at Universidad Complutense, Madrid and received her MFA from the University of California at Irvine. gatamelatta@hotmail.com809. She has participated in numerous assault exhibitions, amid which are: Monocanal, Reina Sofia Museum Madrid, 2003; Otros incluidos, House of America, Madrid, 2003; Magazine, Sala Amadнs of Madrid, 2002; 33.3, Deep River Gallery, Los Angeles, 2000; Downtown Video, The Bradbury Building of Los Angeles, 2000; Concrete Lab, Laguna Art Museum of California, 2000; Video/Art, Sala Rekalde of Bilbao, 1999; Domйstica, La Panaderia, Mexico D.F., 1998; and La ceguera, Girona Art Museum, 1997. ROSE HSU was born in 1963 in Taiwan and received her MA in Art History from Queens College, CUNY, in 1990. In 1991, she completed a post-graduate program in Museum Studies at New York University. above all After working at Taipei Fine Arts Museum, Hsu became a curator as a countermeasure for the L’Orangerie International Art Consultant Co.
Hsu organized an cosmopolitan touring expo with Musйe de Louvre, Paris, in 2000 and conceived an Artist-in-Residency program in Taiwan from 2000 - 2003. Ltd., based in Taipei, Taiwan, where she is today. In joining, she has curated diverse conspicuous leave projects in Taiwan. Hsu’s occupation at ISCP allows her to fritter away three months in New York researching Public Art and Artist-in-Residency Programs in the United States. lorang.art@msa.hinet.net810. He deliberate visual arts and photography at the Escuela Nacional de Artes Plasticas (National School as a countermeasure for the Plastics Arts) in the Universidad Nacional Autonoma de Mexico. FERNANDO VARELA was born in Mexico City in 1969.
He specialized in interactive consecration and multimedia oeuvre at the Centro Nacional de las Artes, where he has also ran workshops on digitalization and reborn technologies. In 1994 and 1996 he was awarded grants connected the Fondo Nacional para la Cultura y las Artes de Mexico and the Fundacion U.N.A.M. Since the mid-nineties his assault exhibitions drink included the II Bienal de Monterey, Museo de Monterey Mexico, Encuentro Nacional de Arte Joven, Museo Carrillo Gil Mexico and 10 Mexican Photographers, DuBois Gallery in Lehigh University Bethlehem, Pennsylvania.
stvarelac@yahoo.com.mx811. Varela has worked as the coordinator of the digital graphics workshop at the Centro Multimedia of the Centro Nacional de las Artes Mexico since 1994. SYBILLE RATH is a German artist, based in Munich. Extensive make a lurch in Central America and a DAAD donate to dynamic and plan in Mexico in 2000, enriched the artist’s chromatic vocabulary. The episode of the region’s in perfect accord cultural confound — pre-Columbian leave, Spanish architecture/religion, mod leave and lifestyle influences from North America — all combined to reproach her canvases with reborn drive and elements.
Experience is the impulse as a countermeasure for her to ask her future and its limits. For Rath, the operation of painting acquires connotation not lone from polytechnic thumb, but conceptually too. syrath@gmx.de812.
DAVID KRIPPENDORFF: ‘I am half-German, half-American, grew up in Rome and deliberate in Berlin. Because this is so culturally confusing, I chose a more embodiment in the equity within which to act i.e. All of my plan incorporates images and footage from Hollywood movies, which I privilege consumption to informal my own stories.
Hollywood. My plan has been shown in Berlin NGBK, Gebauer Gallery; ICA, London; Massimo Audiello and White Columns, NYC; Rotterdam Film Festival and Scope, L.A. and Miami. A one-minute video draft was included in the ‘ above all Concert in Cape Town as some of the One Minute of Art to Aids above incidence.
MAIDER LOPEZ was born in Spain in 1975 and deliberate Fine Arts at the Basque University, followed connected an MFA from Chelsea College of Art, London. dkrippendorff@thing.net813. She has been exhibiting since 1999 everywhere Spain and Europe.
Lopez’ plan overlaps between leave, architecture and putting together connected making objects from middling flavour e.g. tables, lamps, or elements of architecture such as factitious walls or floors. maiderlo@lycos.com814. For her Open Studio performance, Lopez has conceived a site-specific consecration, based upon the reflections of her plan in the studio window. ANDREA PESENDORFER deliberate painting at the University of Applied Arts in Vienna.
The latchkey directions of aesthetic methodology, namely to get aesthetic gen connected the controlled wrecking of known qualities of circumstances, is rise in Pesendorfer’s at works. Here, materiality articulates conceptuality and immorality versa, forgather to the latchkey opinion of textiles that opens up multi-layered connotations, arising from passage and nature to the designated Boromean Knot. Different media are employed, as a countermeasure for incidence: working with construction, painting and photography.
Pesendorfer deals with rise, congress and oneness, while concentrating on the non-spiritual issues of covering, veiling, exposing and making observable. The artist has had alone exhibitions in Vienna, Cologne, Berlin and New York and has participated in assault exhibitions in Europe and New York.